Dream Team: Finding the Right Critique Group for You

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TeamWork

I’ve had quite a few conversations lately about how isolated the writing life can be (and believe me, I can sympathize as an editor!). So today, I’m reaching into the Archive for an article that addresses this issue. Yes, writing is a solitary task, but becoming a successful author is a team effort. Before you ever sign with an agent or publisher, or hire freelance professionals to help you indie publish, a good critique group or writing partner can be an indispensable key to your success.

Here, some advice on how to choose writing partners who will help you bring out the very best in your work:

 

What to Look for in A Critique Group  [Updated article from the Word Cafe Archive]

One of the top pieces of advice agents and editors give to writers of all experience levels is this: join a critique group. There are many advantages to this, among them: help with finding holes in your plot (and other things that don’t work), a support system to cheer you through writer’s block, and a community of like-minded people who take writing seriously.

So what should you look for in a critique group? Here are some important things to consider:

    • Experience with your genre. This doesn’t mean everyone in the group has to be working on exactly the same type of project—there are pros and cons to that. But think of it this way: if you’re writing a middle grade boy book and all of your other critique  partners write adult fiction, you might not get the feedback you need. That is, unless the other member are avid readers of MG fiction (perhaps they have children in that age range), and they know the market and what it takes to hook a young reader versus an adult.
    • Success among the members. By this, I don’t mean you should turn a group down if its members are not NYT bestsellers. After all, if you’re a new writer, that would be pretty darn intimidating! What you should look for are writers with a successful track record of some kind. Ideally, at least one is published with a traditional house, and another another is achieving success with her self-published titles. Another member has just sold a short story to an online literary journal, and a fourth has just finished his first novel and is shopping it to agents and editors. You’ll learn a lot from this variety of experience levels, and no matter where you are in your writing career, there will be someone who has been there or is going through the same steps now.
    • Reliable group members. We all have busy lives and occasionally have to cancel a commitment. But if several members of your group consistently flake out, you may end up giving a lot more than you get in return, and that’s not fair. Before you join a group, ask about their average attendance and whether there is a system to encourage accountability. A critique group can be one of your greatest assets as a writer—but only if it’s a team you can count on. And don’t forget, they’ll expect the same from you!
    • Healthy balance of encouragement and criticism. When you join a critique group, look for people you can trust to give you honest, objective feedback—after all, if you wanted nothing but praise, you’d ask your mom. The goal for each member should be to make that feedback constructive and useful; a good way to do this is to start by highlighting things you liked or that worked for you, and following them in a respectful manner with your concerns, being specific about what didn’t work and why.

Now, the question is, where can you find a fantastic group like this? A good place to start is with your local writers organization. They should be able to provide you with a list of groups open to new members, or point you to resources for finding one. You can also ask your writer friends or writers you meet at conferences—networking is a great way to find a group. And while I’m generally an advocate for face-to-face interaction, online groups work well for a lot of people, too. Try www.critiquecircle.com, www.thenextbigwriter.com, or www.writers.net . Also, check out this helpful page from Colorado State University—it has more great tips and questions to ask yourself before joining a group, or to help you start your own.

A last piece of advice: go with your gut. If you join a critique group and you feel torn down rather than supported after each meeting, or you wonder if anyone actually read your pages, it’s probably time to let go and find a group of people who are as interested in your success as you are.

5 responses »

  1. There’s nothing I’d like more than an in-person critique group that meets the above criteria. Sadly, I live on the edge of nowhere, and there simply isn’t a “local” writers organization. I found a group 30 miles away, but no one in it had ever read my genre (epic fantasy) or even speculative fiction. Also, the only published member was a picture-book author who had gone through a vanity press.

    All I can say is the internet is my lifeline. If it weren’t for online critique sites and wonderful blogs like this one, I’d still be at square one in my writing journey. Thank you Anita for freely sharing your knowledge of the publishing world with all of us aspiring authors. 🙂

  2. Thanks, Elissa! Hearing that it’s helpful to writers is what keeps me doing this, and I appreciate your input about the online groups. You’re right that for many writers, in-person just isn’t an option. Luckily, the number of online opportunities continues to expand. If you (or any of my readers) have additional sites they use and like, please share them here!

    • I use the Online Writing Workshop for Science Fiction, Fantasy, and Horror. It isn’t free, but it also isn’t very expensive ($49/year is one of several subscription options). The first month IS free, so people can try it to see how they like it. Many of the members (and former members) are published and have writing careers. I’ve learned as much or more by critiquing others on the OWW as I have from being critiqued.

      • Thanks for sharing that, Elissa! I’m familiar with that resource and hadn’t thought to include it. And yes, critiquing others’ work is excellent for strengthening one’s own craft as well.

  3. Pingback: Editor’s Insights with Anita Mumm | Middle Grade Mafia

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